martedì 3 novembre 2015

AA/VV - La Force Dans La Oi! vol. 2

(FRA 2015, 7" produced by Une Vie Pour Rien)

It's always hard to talk about compilations: usually they are composed by just one song for each band and it's not easy to make yourself an opinion with just a track. Anyway, when a compilation is great you have to recognize it and spread it to the world. Also more if the EP is released by Une Vie Pour Rien, one of the most importan label in France since the 90's. If you don't know it, well, it's the name behind bands like Maraboots, Lion's Law, HardxTimes but also behind the repress of stuff from Infanterie Sauvage and R.A.S., and also behind some historical compilation with internation bands. When you say "a name a warranty", well, you are talking about UVPR, for sure. This EP contains four songs by four different bands, and they are all on the frontline for the new generation of french oi!: we're talking about Syndrome 81, Rixe (with Wattie from Lion's Law), Outreau and Traitre.

To open we find Syndrome 81, a young band from Brèst that have already pleasured our ears with their sound balancing american oi! and punk hardcore. Their EP was pretty nice and the song you can listen inside the compilation is maybe their best composition until now. They took a stronger way into oi!, the recording is good (i really that kind of voice recording) and the chorus is epic. Of course we can understand why UVPR decided to put "Contre vents et marées" as an opener: it's a perfect presentation of what the new kids of french oi! can do, mixing together past and present. The song reminds me of some stuff by Brigada Flores Magon but in a easier way; pretty good anyway!

If you read this blog or if you simply have a pair of ears on the sides of your head, you should know how fucking great are Rixe! I have to admit that their presence was one of the reason why i bought this vinyl and i wasn't disappointed. Their debut EP was a surprise bomb on the european oi! scene that brought them on the international stage with their reprisal of 80's sound, like old glories as Komintern Sect, Nabat and C84. This song "Countre-courant ", is slow, with heavy drumming and a powerful chorus. This time they remind me more of the Italian old school (Plastic Surgery Rip Off..) and, in fact, the song is very similar to "Asociale oi!", released by Nabat in 1982. On the end it got an injection of power that reminds you (if you ever need) why this band is so fucking kick-ass! With their simple but classy music, with their vintage sound, Rixe demonstrate how it's possible to remake the sound of the origins without making copies or screenprints. The classic chorus that stays stucked in your head it's that little more you need to love without any doubts this song: we are all countre-courant!


Let's pass to the B side. Here we find Traitre, band who made its debut in 2014 with two nice EPs and a tape. The song is pretty nice, backing vocals are powerful and i like a lot the slow intro who put you inside the rythm; also them are into the old school attitude (for sure this compilation confirms the new trend of remaking the 80's sound), but not as much as Rixe. They just pick some hints by bands like R.A.S. to insert it into the new sound we have saw growing up in this last years in Europe. The stick perfectly inside the new french oi! mood (think about Maraboots, for example), so you know what you are buying!

Usually i like Outreau. Their first two EPs (also them produced by UVPR) were both pretty good. Nothing revolutionary, just solid as a rock oi!, made for the working class kids with its feet deeply inside the American sound attitude like first Iron Cross, Best Defense and some other good bands. Well, their presentation was perfect (they got some members shared with HardxTimes) and i was very curious about this new song (that is also the only English lyrics song) but i cannot enjoy it so much. It seems they don't get the flow they got in their first releases and well, it's a little anonymous. It's not a bad song and i liked a lot the lyrics that talk about the feeling of unity with the crew in not a banal way, but well, you listen to it and the you don't remember it. I repeat myself to be clear: not a bad song but if you want to listen what this band has really to give, rescue their EPs from 2014. The bass intro is always a warranty but the track is too slow to hit you up. I like their way to dig into USA old school (Oxblood reminds you of something?) but this time they don't hit the center of the target.

Well, in a few words: we liked a lot this compilation. All the bands are good, some songs are weaker than other but no bad songs at all and the bands called for this are always a good choice. It's a vinyl you have to buy if you want to stay on the point with the french oi!, that nowadays is one of richest scene in Europe. 

A
1) Syndrome 81- Contre vents et marées
2) Rixe - Countre-courant
B
3) Traitre - Trainer
4) Outreau - Spirit

lunedì 19 ottobre 2015

Our interview with F.A.V.L.!

An exclusive interview with the young Italian promises of oi!, brought to you by the staff of the blog, read and learn about F.A.V.L. (you read it as FAUL). Here you go!

The artwork of F.A.V.L. singles collection, dated 2015

Q: Let's start from the beginning: tell who are F.A.V.L., from where do you come from, who are you, where are you going? Are you all skinheads? Do you have any other bands or projects?
A: F.A.V.L. born in 2008/2009 in the streets of Viterbo. The band it's always been formed by skinheads, but right now we don't call ourself a skinhead band, because I'm the only one who's still into this subculture. We all share a passion for punk and oi, and we all are inside the same crew or gang (or call it as you want). After a lot of changes, now we are: Pony (voice), Pandrella (bass), Maurice (guitar), Giorgione (drums). Me and the bassist (original members of the band since the birth) play just in this band, but Maurice and Giorgione play also in other bands like Gorilla Pulp and Tractors.

Q: It's not a long time since your split with Faccao Opposta was released, what can you tell me about it? Do you have any project going on?
A: Collaboration with Faccao Opposta comes from the beginning of 2015, when we got in touch to share some stuff (vinyl and cds) of both the bands. From here comes the idea of making a split together, also that we share same ideas and points of view: we are on the same ground, to be clear. Both of us come from countries where bands have to work hard to emerge, also if they got good stuff to play. Talking about future project: we will be on a 7" vinyl compilation produced by Oi! the Nische Rec. (Germany) with 4 bands (3 from Europe and the last one from Brasil), also we will be on italian compilation "Kids against Renzi". In 2016 we will finally start to work at our second full lenght.

F.A.V.L. live in Bratislava

Q: How it's like to come from Italian province and to play oi! ? It seems like a lot of the best Italian bands come from the no man's land that province is (i think about you, Plakkaggio HC, Klasse Kriminale, Gavroche, but also Guerriglia Urbana, Coprofagi, Erode, talking about bands who don't exist anymore), while it seems that big cities (just Rome survives) are now sleepy. Do you think there's a connection?
A: Our first rehersal was a dismissed hen-house, that we transformed into a rehersal, recording on tapes and being very careful when it was raining to avoid the risk of being electrocuted! This is province! Real rehersals are started to born, in our city, since 2011, and i mean with honest price and stuff. The wish to fight, to be heard, are the only chance of surviving in province, unless you agree to die because of discos, reggae muffin nights, techno, heroin.. province is the desire to do, to work for your goal. Here, in Viterbo/Tuscia, as in the all the other italian provinces.

Q: How do you explain the fact that F.A.V.L., from Viterbo, singing in Italian, reached the goal to be known on the European scene? You are one of the very few bands that come from Italy and are listened also abroad and you always worked with non-italian labels. What's your secret?
A: The fact that, with F.A.V.L., we reached the goal of being knows in Europe and in the rest of world, is due to the fact that when we started to play (2009/2019), Italian scene was almost dead, and so the only way to play, to make people listen to us, was trying to work with non-italian labels (4-Subculture Rec., Vinyl4Bootboys, Contra Rec., Stratum Rec., Bords de Seine) that give us that strenght more we need to share our stuff across the world. Also, with out label, managed by me and my brother, Strenght Thru Oi Rec., we enlarged our contacts around the world thanks to exchanges, productions, coproductions. Italian bands, abroad, aren't seen in a good way, so if you want to make it works you have to work hard the double. For too much time, i think, italian bands have lived inside the shell of the country; we wanted to go out from this schemes.

The artwork of the split with Faccao Opposta, dated 2015

Q: How is Viterbo scene? And in Lazio?
A: The scene of Viterbo got its roots inside the early 90's.. The old Viterbo Hardcore, who used to gather together skinheads, punks, hardcore kinds, metalheads, rockers, from all the Tuscia. Today if we talk about the city of Viterbo we can't see a lot of living stuff, but if we look at Tuscia, we can see a continue raising of kids, bands, gigs... Cantina del Gojo was one of the most important project bringed on by our old crew: Tuscia Clan. A project that really teached lessons to whole Italy and that was a factor of personal growing for every people included. Talking about local bands, we start from legendary Razzapparte and Neid to arrive to Assedio, No Prove, Gorilla Pulp, Maleducazione Alcoolica, Malore... In Lazio, Rome nowaday is full of new bands (Dalton, No More Lies, Tacita) and old and important bands (Giuda, Gli Ultimi, G.T.A.). Out of Rome i have to name bands like Plakkaggio HC from Colleferro and Blood 77/Gioventù Bruciata from Formia.

Q: You traveled around a lot, so i'd like to know the point of view of a young oi! band: there's any hope for oi! ?
A: The experience of playing in places away from home and, also, from Italy, just breed our whish to make people know our music and, at the same time, it breeds our wish to meet new realities, crews, situations and all, abroad from our country. From every tour we learn something new, in every tour you put something new. New friends, new experiences, they builds up a sort of web, of big family... Oi! in Europe now is growing up, for oi! i mean the movement at 360° (kids, gigs, supporters). I don't share, personally, the fact that some (luckily just a few) bands got crazy requests to play (money, amps that neither bands like Metallica asks for). We make music yes, but you don't have to forget where are your roots and who are that listen to you. Rock star atttude, money and other bullshits must be throwed from the scene. We come from the working class and we play for working class people, that don't have the money to enrich idiots like that. In Itay now there's a good number of punk and oi! bands, the only stuff we miss, maybe, it's just a label that is able to support the new bands rather than the old and big ones. Just this!


F.A.V.L. on stage in Stokholm with Rober of Antipati


Q: If you had to suggest some listening to the readers?
A: Seeing we are talking about italian bands, i suggest to listen this brand new albums:

Razzapparte - "Brucia"
Dalton - "Come stai?"
New Blood - "As sand in the wind"
No More Lies - "Nessun rimorso"
Plakkaggio HC - "Ziggurath"
Barbera & Champagne - "Stato di abbandono"

Q: What's your F.A.V.L. favourite release?
A: The favourite release of F.A.V.L., i think is the "Damned streets" EP. The end of a chapter and the start of a new one, with Maurice joining the bands

Q: Classic question for the oi! band: and about politic?
A: F.A.V.L. are a band that don't want to talk about politic FOR AN EASY REASON: NO ONE OF US IS A POLITICAL MILITANT (AND WITH MILITANT I MEAN PEOPLE WHO REALLY BELIEVES IN WHAT THEY DO EVERYDAY). Respect forthe bands who play and make politic at the same time, but on the other side there are like 98% of bands that just sings the usual kids slogans, who just like to exalt themselves and the, in real life, they don't make a shit. Polic is important, and maybe is one of the reason why in Italy nothing ever changes, also in the left wing movement where a lot of people just goes to the gigs at saturday evening, where 3 people out of 4 are totally drunk. Someone used to say "revolution is not a dinner party", well, and i'd add that it's not even screaming or playing a guitar. Revolutions were made with empty hands and guns... A part from this we bring on themes about social problem, we try to sing, to point the light on what we really are and on what happens around us. Exploited lifes, joy, redemption, revenge, shitty days... these are F.A.V.L.

Discography: F.A.V.L. - "Cemento e follia" (CD, 2011, Strenght Thru Oi! Records/Pull The Trigger Records/Tuscia Clan/Laida Provincia Crew/Oi! Shop/Rudeness Records/Still Standing Army/Ragazzi dei Quartieri/Mother Fucking Sound/Skins Rules Records)
F.A.V.L./Lion's Law - "Ant vian imbeniam ant faciam" (EP, 2013, Contra Records) F.A.V.L. - "Il prezzo da pagare" (EP, 2013, Stratum Records)
F.A.V.L. - "Damned streets" (EP, 2014, Vinyl4Bootboys)
F.A.V.L./Suncity Skins - s/t split (EP, 2014,Vinyl4Bootboys) F.A.V.L. - "The singles collection" (CD, 2015, Mohican Tunes Records)
F.A.V.L./Faccao Opposta - "Audere est facere" (EP, 2015, Bords De Seine)

D: Partirei dall'inizio: come sono i F.A.V.L., da dove venite, chi siete e dove andate? Siete tutti skins? Avete altri gruppi o venuti fuori da altre cose?
R: I F.A.V.L. nascono nel 2008/09 nelle strade di Viterbo.La band ha avuto sempre componenti appartenenti alla sottocultura skinhead ma oggi non ci definiamo una skinhead band dato che solo io seguo questa sottocultura.Siamo tutti accomunati dalla stessa passione per la musica punk/oi,tutti facenti parte della stessa banda/crew o chiamatela come cazzo vi pare. Dopo innumerevoli cambi di formazione susseguiti nel corso degli anni oggi siamo : Pony(voce),Pandrella(basso),Maurice(chitarra),Giorgione(batteria). Io e il bassista (membri originali dalla nascita della band) abbiamo solo questo progetto,il nostro chitarrista Maurizio e il batterista Giorgione hanno diverse bands tra cui Gorilla Pulp e Tractors.

D: E' uscito da poco il vostro vinile con i Faccao Oposta, com'è nato? Me ne parli un po'? Avete già altri progetti in canna?
R: La collaborazione con i Faccao Opposta nasce agli inizi del 2015 quando eravamo entrati in contatti reciprochi per scambiare diverso materiale (cd,vinili) di entrambe le bands. Da qui l’idea di uno split assieme,l’accomunanza di diverse idee e punti di vista,insomma stavamo sulla stessa barca. Entrambe le bands provenienti da Paesi in cui le bands faticano ’ ad emergere nonostante hanno tutte le carti in regola per mettersi in gioco. Progetti futuri sono,una compilation vinile 7”prodotta dalla label Tedesca Oi the Niesche con 4 bands di cui 3 Europee e una Brasiliana,piu’ la registrazione di un altro pezzo che andra’ a fare parte della compilation “Oi agaist Renzi”. Nel 2016 inizieremo a lavorare finalmente per il nostro secondo Full lenght.

D: Com'è venire dalla provincia italiana e suonare oi!? sembra quasi che molti dei migliori gruppi attuali vengano fuori proprio dalla terra di nessuno che è la provincia italiana (penso a voi, ai Plakkaggio, ai Klasse Kriminale, ai Gavroche.. ma anche Guerriglia Urbana, Coprofagi, Erode, per parlare di gruppi ormai fermi), mentre nelle grandi città (con l'eccezione di Roma), sia tutto fermo o quasi. edi qualche collegamento? magari è proprio la noia a far muovere la gente.
R: La nostra prima sala prove era un ex pollaio,che con fatica e sforzi abbiamo adibito a “sala prove”,registravamo in cassetta e quando pioveva bisognava stare attenti a non finire fulminati. La provincia e’ questa! Sala prove nella nostra citta’ sono cominciate ad arrivare nel 2011,ed intendo sale prove con prezzi agibili e che fossero attrezzate decentemente. La voglia di riscatto e di farsi sentire e’ l’unica ancora di sopravvivenza nella provincia,a meno che non vuoi rassegnarti a morire di discoteche,serate reggae muffin,tekno,eroina… La provincia e’ voglia di fare,di alzare il culo e raggiungere piu’ obbiettivi possibili. Qui come a Viterbo/Tuscia come nelle altre provincie Italiane.

D: Come ti spieghi che i F.A.V.L., venuti da Viterbo e cantando in italòliano, siano riusciti ad 
imporsi così sul panorama europeo? Siete tra i pochissimi gruppi che vengono ascoltati al di là del confine, pur avendo fatto pochissimo in lingua inglese, e avete sempre lavorato con label estere. Qual'è il vostro segreto?
R: Il fatto che con i F.A.V.L. siamo riusciti a farci conoscere in Europa e nel resto del Mondo e’ stato innanzitutto un fatto dovuto che sinceramente nel periodo in cui siamo nati e abbiamo cominciato a suonare(2009-10) la scena Italiana era praticamente morta,quindi l’unica via per suonare e farci conoscere il piu possibile era cercare di appoggiarci a labels straniere (4-subculture Records,Vinyl 4 Bootboys,Contra Records,Stratum records,Bords De Seine) che hanno dato una marcia in piu’ al diffonderci in tutti i gli angoli del globo. Inoltre con l’etichetta seguita da me e mio fratello (Strength Thru Oi records),nel giro di poco tempo abbiamo diffuso i nostri contatti per mezzo mondo attraverso scambi,produzioni,cooproduzioni. Le bands Italiane all’estero non sempre sono viste bene, quindi devi faticare 2 volte per cercare di importi. Per troppo tempo credo che le bands italiane sono rimaste chiuse nel solito guscio della penisola,noi volevamo cominciare ad uscire da questi schemi “pre impostati”.

D: Com'è la scena di Viterbo? E più in generale, nel Lazio?
R: La scena Vierbese innanzitutto affonda le sue radici ai primi anni ’90… La vecchia Viterbo Hardcore che accomunava skinheads,punks,hardcore kids,metal kids,rockers di Viterbo e di tutta la Tuscia. Ai giorni d’oggi se dobbiamo parlare di Viterbo,sia la scena che le bands non e’ tanto prolifera,per quanto rigaurda le zone fuori Viterbo che fanno parte della Tuscia,ce’ un vero e proprio continuo aumento di kids,bands,situazioni,serate…. C.d.g. e’ stato uno dei progetti piu’ importanti portati avanti dalla nostra vecchia crew “Tuscia Clan”. Un progetto che veramente ha dato lezioni a l’Italia intera e che ha fatto crescere a livello personale ogni singolo componente di questo progetto. Bands locali ci sono diverse,partendo dagli storici Razzapparte e Neid fino ad arrivare agli Assedio,No Prove,Gorilla Pulp,Maleducazione Alcolica,Malore….

D: Avete girato parecchio, quindi mi piacerebbe chiederti qual è la visione di un gruppo giovane, che sta emergendo e diventando un nome solido sul panorama internazionale, della scena estera. C'è speranza per l'oi! ?
R: Il fatto di andare a suonare in posti lontani e fuori anche dall’Italia non fa altro che soddisfare la nostra voglia di fare conoscere la nostra musica e soddisfa allo stesso tempo la nostra voglia di conoscere le diverse realta’,crew,situazioni al di fuori dello stivale. Da ogni trasferta si impara qualcosa di nuovo,in ogni trasferta trasmetti anche qualcosa di nuovo. Nuovi amici,nuove situazioni,si crea una sorta di ragnatela,di grande famiglia….L’oi in Europa e’ in netta crescita,per Oi! intendo il movimento a 360°(kids che organizzano,crew,bands,supporters). Non condivido personalmente il fatto che alcune(fortunatamente poche) bands abbiano richieste folli per suonare (soldi,amplificazioni che neanche servono a bands come i Metallica e altre cazzate simili). Facciamo musica si,ma non ci si deve scordare da dove cazzo veniamo e per chi suoniamo. Attitudine da rock stars,soldi e altre minchiate devono essere emarginate il piu’ possibile dalla scena. Veniamo dalla working class e cantiamo per la gente della working class che di conseguenza non ha neanche soldi per arricchire tanti “fenomeni” e burattinai.
In italia ultimamente ce’ un discreto numero di punk/oi bands,l’unica cosa che manca forse e’ un etichetta che supporti le nuove e giovani bands piuttosto che supportare solo le bands maggiori. Tutto qua!

D: Se dovessi consigliare qualche ascolto ai lettori dell'intervista?
R: Visto che stiamo in ambiente di bands italiane consiglio l’ascolto di questi nuovissimi album:
Razzapparte - "Brucia"
Dalton - "Come stai?"
New Blood - "As sand in the wind"
No More Lies - "Nessun rimorso"
Plakkaggio HC - "Ziggurath"
Barbera & Champagne - "Stato di abbandono"

D: Il tuo disco dei FAVL preferito?
R: Il disco preferito dei F.A.V.L. credo sia l’ep “Damned Streets”. La fine di un capitolo e l’inizio di uno successivo con l’ingresso nella band di Maurizio alla chitarra.

D: Classica domanda al gruppo oi!: la politica?
R: I F.A.V.L. sono un gruppo che non vuole trattare argomenti politici PER UN SEMPLICE MOTIVO: NESSUNO DEI MEMBRI E’ UN MILITANTE POLITICO (MILITANTE INTENDO PERSONE CHE VERAMENTE CI CREDONO IN QUELLO CHE FANNO E SPENDONO OGNI GIORNO PER STARE DIETRO ALLE LORO IDEE). Rispetto per bands che si suonano e fanno politica militante allo stesso tempo,ma dall’altra parte ce’ un buon 98% di bands che basta che canta i soliti slogan da ragazzino del liceo,esalta e si esalta con un microfono ma poi nella vita reale non fanno una benemerita sega. La politica e’ una cosa importante,forse uno dei motivi per cui in Italia non cambia mai una sega e’ anche questo,ovvero che anche nella politica antagonista ci si e’ ridotti a gridare il sabato sera ad un concerto dove 3 persone su 4 sono ubriache marce e vogliono solo divertirsi. Qualcuno diceva”la rivoluzione non e’ un pranzo di gala”,ecco aggiungerei che non e’ neanche cantare a squarciagola o strimpellare una chitarra. Le rivoluzioni fino a prova contraria sono state fatte da fucili e mani nude….
Nonostante cio’,portiamo avanti e condividiamo argomenti di critica sociale,cerchiamo insomma di cantare e far notare quello che realmente siamo e quello che realmente accade intorno a noi. Vita da sfruttati,gioie,riscatto,vendetta,giornate di merda…. Questo sono i F.A.V.L.

lunedì 12 ottobre 2015

Our interview with Agent Bulldogg!


In some months the new Agent Bulldogg release will be out (a split 7" with Close Shave), and so we decided to offer you the interview we make with them some months ago and, that until now has remained hidden in our servers! So here you go!


The artwork of the debut album, dated 1991

QHow Agent Bulldogg were born? What bringed you together almost 25 years ago and what made you are still together now?

A: We actually started 1986, so we are turning 30 next year… Well, I’m (Thomas) the only original member although Jens who plays bass from 2008 until now was also in the band between 1988-1991. I can only speak for myself, but the band has always been very important to me on many different levels. And also it’s fun being in a band and be able to play for, and meet so many great persons everywhere we go. Of course there are also parts that are not so rewarding, but let’s not get into that right now.

Q: How was the Stockholm skinhead scene back in the 90's? And the Swedish scene?
A: When I became a Skinhead early ‘84 the initial boom of Skins was fading rapidly. There were some small Skinhead crews still lurking around but they mostly kept to themselves in the different suburbs they originated from. I was from one of them suburbs but rather than hanging out there I preferred to go into central Stockholm, as did some others from both our area and other areas as well.

By that time most of the older generation Skins was growing their hair and had left the scene. There were still a few older faces around, but to be accepted as member within their ranks there were all sorts of rites de passages who usually meant a beating or being thrown into the sea, as the hangout then was a helicopter landing platform (helipad) located in the water by the Gamla Stan (Old Town) tube station. It was not a place to go for the fainthearted or for anyone not being a Skinhead. Some of the older boys however were really friendly and I and our little crew (or firm, as we called ourselves Norra Firman - Northern Firm) soon got accepted without any major incident. 
Although we were quite few in numbers in Stockholm altogether, we had a fearsome reputation as some kind of folk devils. We were getting blamed for everything you can possible imagine; from cutting off peoples ears to beating up priests and so on. It was also a “well known fact” that we used to carry weapons ranging from axes to guns. Most of all these rumours were not true of course. Then there were headlines of all sorts of vicious politically motivated attacks. One that was actually true was the storming of the Soviet embassy. I wasn’t there, but I know that the politics behind it was of the kind you find in beer bottles, cheap wine and having nothing to do. Anyway, they soon sobered up when the KGB officers came running and aiming with guns at the Skinheads...  


Agent Bulldogg in action on the stage

Today it seems like being a Skinhead these days is not as stigmatized as it used to be in the early 80’s, at least not in Sweden. Back then the police were constantly on our backs. Nicking us for anything they could come up with or stopped us for searching once an hour (I don’t think they found too many axes or guns though). On a few occasions the police even banned all Skins from being in Gamla Stan (Old Town). And if it was not the police giving you grief it was some other gangs who attacked you whenever or wherever they could, well as long as they had the numbers anyway. I even got attacked when I was on a field trip with my class in school for instance. A weekend passed without being nicked or in a fight was unheard of. Nowadays the media don’t boast out horrendous stories about skinhead related crime, true or (more often) false as much as they used to. 

Before we’d reach the age so that we could drink legally at bars we either stole beer, or had someone older buying it for us and we used to hang around in the street corners or at The Helicopter place (which I mentioned earlier), which was our meeting place and kind of HQ. However just by turning 18 was in no way a guarantee that you’d get served at a bar. These days it’s quite easy to get into pubs and so, but that was pretty scarce back then. Normally you’d spend more than half of Friday night finding a place that’d serve you and when you found one you hung onto it for as long as possible. It normally took about two weeks before you got banned and the search team was on its feet again.
So in some aspects I guess it’s better now as it’s easier getting into pubs, arrange gigs and clubs, not being in the focal point of police and media. Less trouble over all so to speak. Then on the downside there are fewer people passionate about the cult, less unity and more talk about political differences and general backstabbing than actually trying to work together. Also I’m no big fan of the cross-over tendencies when it comes down to style, but who am I to complain about that when I hardly ever dress up anymore. Still, there you go…

Q: What does means to be skinhead for you? Do you think it got still a sense to be a skinhead right now?
A: Skinhead to me stands for being part of the greatest subculture the world has seen. We are still not accepted by the so called normal people. It’s also about being proud of your heritage – whatever heritage you got – being proud of being working class, not afraid to speak up for yourself and your mates, and not taking any shit from no-one. Skinheads is a way of life – don’t let anyone tell you how to live yours!

Q: Now you see differences between the scene where you started and the scene today? What do you think about the new kids that are trying to carry on a scene and the new mentality?

A: I answered this partly in question 2. Also I think it’s great that youngsters still carry the torch so to speak. Skinheads will never die!



from left to right: Torbjorn, Thomas, Johan, Robert, Jens


That said one have to either accept or realize that everything changes over time and each new generation have their own way of expressing themselves for good or bad. Youngsters like yourself can never recreate what skinheads were as well as we couldn’t recreate the spirit of ’69 or ’79. We can’t even recreate what we were ourselves 5, 10, 20 or 30 years ago, and trying to do that is pointless. Some people today say that they are “Spirit of ‘69” others want to be “early 80’s RAC” but sorry boys and girls, if you want to live like that you will be nothing more than piss-poor replicas of a thing you can never fully understand, as well as I can never understand how it feels to be a young skinhead today. In most aspects we are all kindred spirits, but in some parts we are - and always will be - worlds apart.

I’m not really sure what new mentality you are referring to, but all I can say is that you have to look to the future rather than living in the past. The past, or the “tradition” of the skinhead scene is so filled with both contradictions and self-appointed spokesmen that you can’t really refer to it as “a” scene. There are so many fractions all saying that they are “the real” skinheads, and that they are the ones who knows “the truth”, but why listen to them? I said it before; Skinheads is a way of life – don’t let anyone tell you how to live yours!

Q: Do you have projects for the future? Your latest releases are of 2013, and the last one "Vi ar tillbaks" ("We are back") is also self released, without a label, so people are pretty curious about your plans, especially also after the split with Templars that was amazing, how did you decided to made it? (PS: obviusly this question was made before we know about their split)
A: We have always preferred to do everything on our own in the true d-i-y style of punk. We have been ripped off by both so called friends and others within the scene before so by doing it ourselves we try to at least minimize the risk of being it again. That said we have only good things to say about the labels we have been lucky enough to work with lately such as: Kjell Hell, Pretty Shitty Town and Randale for instance. And we will most likely work with all of them in the future, but we also like to feel that we are independent so to speak.

Right now we have started to record some 15-20 songs to release either as an album, or a couple of singles and such. Hopefully some of it will be out by the end of the year, but we don’t rush anything, as you might have noticed ha-ha-ha…
- The split with Templars was something Carl asked us to do in the mid/late 90's but it never happened for some reason or the other. Well since Diana from Randale wanted to do something with us I suggested the split with them, and it worked out fine.



Q: What were the bands that ispired you back in the 90's? I think you are the first swedish band that has anaged to become famous internationally, there were other, maybe underrated, bands in Sweden, other than you? And why you decided to sing in swedish? Other bands like Perkele made this but together with some english songs. It hasn't been a problem for your popularity?
A: When we started in 1986 we were the only band I know of who did what we did back then. There had of course been both skinhead bands and Oi!-bands before us, but most bands never released anything or played that much. That was one of the reasons we started actually. 
We Always wanted to sing in Swedish as we Always prefered bands who sang in their native language. We (especially I) was into French punk and oi! quite early and I liked that they sang in french even though I couldn't understand a word. Also when bands say it's easier to write in English than their native tounge I Think it's bollocks because normally they don't even use correct grammar or words so how can that be easier?

The band back in the days

Q: What do you think about new oi! bands? There are new bands you like?

A: There are many great bands out there, but the definition of “new” is a bit tricky. For example, both Lion’s Law and Bishops Green who are quiet popular right now are in a way “new” but they’ve been involved in the scene for years so can they really be regarded as new?
We played with Grade 2 in Brighton last year and they were great

Q: In you career what's your favorite EP or LP of Agent Bulldogg and why?

A: The answer to a question always has to be “the next release” otherwise we wouldn’t continue. Apart from that it has to be the LP Livsstil as we (mostly me and the ex-drummer Magnus) did everything by ourselves in the true spirit of Punk. Magnus found the dog, I took the front picture and did the back-cover, we financed it ourselves and released ourselves.

Discography:
Agent Bulldogg - "Livstill" (LP, 1991, Coitus Productions)
Agent Bulldogg - "Et tusen glass" (LP, 1995, Coitus Productions)

Agent Bulldogg/Antipati/Contemptuous - "Sons of Sweden" (EP, 2012, Olifant Rec.)AA/VV- "Oi! The superheroes" (EP, 2012, Bad Look Rec.)
Agent Bulldogg/Templars - s/t split (EP, 2013. Randale Rec./Templecombe)
Agent Bulldogg - "Vi arr tillbaks..." (EP, 2013, selfreleased)
AA/VV - "Chaos in Sweden vol 2" (LP, 2015, Snail Trail Rec.)

mercoledì 5 agosto 2015

Suncity Skins/F.A.V.L. - Split EP

(MEX/ITA 2015, 7" produced by Vinyl4Bootboys)

Let's talk about one of the last releases of Vinyl4Bootboys, a name that is itself a security. So, what would happens mixing together a brand new band from Mexico and one of new oi! promises from Europe? You would have in your hands this split! So let's talk about this fucking fantastic 7"!

On the A side we got Sun City Skins, from Hermosillo -one of the biggest town in the North of Mexico and, as you maybehave suspected, the one that's called the city of sun- that were born last year and with a precedent release on V4B, a good 7" of four songs, solid oi!, singed in spanish. These three guys know how to make their work! The guitar is the protagonist, a little rock 'n roll taste and ad, i think are a good description of what the band wants to do.



On th B side, we got F.A.V.L., and let's say no bullshits: it's not a great time for the Italian scene right now: not a lot of people, not a lot of bands and, even less bands that can cross the national borders with their music, so it's with a great pleasure that we talk about them! From Viterbo (near Rome), this band, born in 2011, got already a good collection of releases, a true surprise! Strong, pure and ferocious oi!, made by rude boys for rude boys. This band is one of our favourite in the new wave of oi! that is running across Europe in these last years, and, from what we see, we are not their only fans: their mix of old school sound and heavy attitude makes their music like a true fist, maybe a litte rough in certain things, maybe also related wih some heavy metal but, fuck off, they are F.A.V.L., not the Pink Floyd!

The two songs by SCS are pretty good and enjoyable, as already said is the guitar to lead the work and to make the songs richer, with riff that are across the classic 90's oi!, and the rock n' roll. "Nuestra escena" opens their side and it's nice: fast but not too "wannabe evil", and since the start you can hear the rock attitude they got, i think it would be a good scene to see all the Hermosillo skins sing the chorus together at a gig . "Anos en vano" is pretty better: easy, simple but with more blood in its veins and you can feel it as yours, similar to the opener but here the strumental parts are better and i like also the solo part and what follows it. They are a good soundtrack for an alcoolic meeting, for sure. 
 
Let's come to the B side, where F.A.V.L. are waiting: two songs, two remakes of songs that were on "Cemento e folli", their debut LP, remixed with a better audio. This, as maybe you could have understood, it's our favourite side of th 7",even if these songs are not unreleasead songs. F.A.V.L. starts with a sonic aggression, a song that hits like an hammer, enriched by some guitar solo parts that allow to take some breath and a lot of choirs, a very good song, slow but charged, we prefer this version more than the one on the LP. Then it follows "Signo viterbium", and fuck, what a bomb! Fast, aggressive, a great work of guitars and a declaration of love to their city, that is somethin we always appreciate a lot in a skinhead band. In fact this is the kind of song you would love to have at your moshpit funeral.


So, to resume: a very good split between a more funny but a little less intresting band as Suncity Skins and a very promising band as F.A.V.L., that with this release makes another step in the building of their fame. If you like fast, r'n'r oi! and/or a more heavy and hammering sound, you will find here what you are searching for.

A
1) Nuestra escena
2) Anos en vano
B
3) Un altro ricordo
4) Signo viterbium

Suncity Skins facebook
F.A.V.L. facebook
Vinyl4Bootboys bandcamp

lunedì 27 luglio 2015

Seaside Rebels - Changing Times ...

(EL 2015, 7" produced by Contra Records/Longshot Music)

A very good quality 4 songs EP from a newborn band from Rhodes. Seaside Rebels are a new band formed by ex members of some of the best oi! bands that Greece gave to the world in the last years and that now are disbanded, like: Oi! Askimoi and Broken Glasses. For us, of Oi from Europe redaction, this is one of the best releases of this year: we like the graphics (vintage, and with an atmosphere of good old days, "when the ships were made of wood and the men were made of iron, not as today!" ), and of course -we have to say it?- we like how this 7" fucking sounds! Simple, well done and strong as an hammer strike. This is their debut and, together, their consacration in the modern oi! scene: it's not simple for a four songs release to be so complete and so fucking great, but, hey, it's from stuff like this that you can recognize a great band from their birth.

An eye to strenght, an eye to melody: a perfect balance to make songs for the working class kids made by working class kids! Every chorus it's made to be an hymn, born to make the gigs on fire when played live, the voice it's rough but well used as the guitars: here you can hear a band that loves the classic oi! bands but that doesn't want to be a copy of that, that likes to play rude but doesn't need to be ignorant. What a pleasure to hear stuff like this!
 

The EP opens with the titletrack, the perfect example of what the Seaside Rebels want to do and what are gonna do. I love the scratchy guitar sound when the song starts and how they reuse it after the chorus as a bridge, and the chorus itself is a true bomb: "times are changing and i feel like i'm fighting a losing battle!". And to be sincere, the lyrics are one of the point of strenght of this work, no doubts about it. "Wrong or right" it's the weakest song here: i think it's a little anonymous. Let's pass to "Thrill of hunt", where the music and the voice it sounds like it's taken down just to make the chorus stronger: simple but very effective. To close the work, here's "Shadow of the past", a perfect singalong to make the gig on fire! It's the most english-sound song, it sounds like a 4 Skins track but with a more melodic attitude. The perfect ending that just makes you want to reput this EP on the stereo to listen it again and again!

So, what other to say? This band surely is not the most innovative in the actual oi! scene, but they know what to do and they do it well. Simple, strong and strong again! Their roots, as already said, comes from Oi! Askimoi and Broken Glasses, and this should already be a warranty for you. They ride the wave with other good bands like Bombardiers, Bishops Green, Close Combat. Do you need anything more?

1) Changing times
2) Wrong or right
3) Thrill of the hunt
4) Shadows of the past

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martedì 21 luglio 2015

Hangover Generation/The Defectives - The Split

(CH/ITA 2015, 7" produced by Pogo77)

Two young bands from Switzerland and Italy and a strong wish to make some noise, the result? A good split EP for sure (at least for intenctions)! Both the bands play since three or four years ago (as i can see from their releases), so it's nice to find a limited repress edition of a 7" (the original was out in 2014), in these days where nobody seems to want to risk some money in new music (there are, of course some exception, but we all know that now for a band that press something on vynil, there are 100 bands that don't find anyone that supports them). Two songs for the A side owned the swiss mates with a fast, noisy street punk and other three songs for the B side, where the italian punx stallions put some pogo punk influenced by the japanese sound.

I like the graphics, rude but funny for sure and the attitude that move the whole EP, and i think the two bands are well mixed together, also if they play a very different kind of sound. These guys aren't technical champions and they neither want to do that, what you will own will be just an healty bunch of punx music, for some sides enjoyable also by the oi! fans.


As already said are the Hangover Generation that open the hostility, with "What I detest", a good piece of dark, shadowed old school punk, that reminds me of bands like Breakout, Suburban Uproar or, especially in this song, the never-too-cried Surf Nazis Must Die; you know what i mean: aggresive and nuclear-age music, in certain stuff it seems also near to some bands that play metal punk. "It's never enough" is too long for my taste: when you have to fill more than 200 seconds with a street punk riff it becomes a little hard to not becoming boring and, yeah, this song is not boring but, well, i don't get it, i can't get its meaning. It doesn't have a central point and that mixer work just makes all the stuff even more confused and confusing! 


Now it's the Defectives chance. For sure they are italians but, while listening to them, you would say just: "fucking nipponic people! They are always everywhere!" or some other Clint Eastwood style complaint. Nothing dark here, just some freaky, funny, catchy pogo punk rock like Ramones, Bad Engrish, Anger Flares, 00 Squad and so many more. Three notes riffs, a lot of choirs and nothing more than some demented music. I prefer, personally, this side because of this, is lighter, is more hearable and it's also well played and not a copy of other stuff, it gives me what i want when i want to laugh listening to music: the sensation that i'm not the only idiot drunk the thursday morning! I think my favourite song here is "Shall we pogo dance", that it's like the Defectives basic recipe.

Well, if you are a fan of rough-simple-fast punk music, you should give a listen to the A side, than if you like japanese pogo punx and some demented attitude, the B side will be your heaven. Some fresh air in a dead scene as the punk scene it's always a good news, and i think this EP could be a good starting point for european spikeheads to take back to their gloriuous history.

A
1) What I detest
2) It's never enough
B
3) This is pogo life
4) Fast and loud
5) Shall we pogo dance?

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H.G. bandcamp
The Defectives facebook

martedì 14 luglio 2015

Crown Court - Ruck And Roll


Here we are gonna talk about the new EP made by Crown Court, from London, and produced by Rebellion Records. Short, violent, angry: a perfect description for the three bitter tracks that are inside this 7", that follows (also with its similar sound) the first tape this band putted out in 2014 (a lot of brand new bands from England, hun?). It sounds a little too dirty, for sure it's not properly the classical oi band, but they are not unexperienced amateurs and the band got some already known faces (Violent Reaction, Arms Race and Abolition tell you something? the young promises of UKHC!), so don't expect for the classical "too simple" debut stuff. In fact, to be sincere, it's very simply and straight to the point stuff, but the songs are well built and they got a touch of UK82 style that emproves all. 

The opener is the best songs for us: a great tune, full of energy and with a good and rough guitar solo that it's like a thunder in your ears when it breaks into the song. The drumming is like an hammer and the voice is angry and hate-spreading as we like it most: fucking pure impact to start in the best way! "Style identified" it's the second song and it's a very English style song, taken from the early 80's stuff like Special Duties, and we like also when UK bands go deep into their past to take the best stuff their older brothers made back in the days and they use that stuff now, to make some cool music again. The end of this work is commited to "Away", that simply feed our doubts: it's not a bad song but we can't get the point, it's like NYHC putted in the middle of an EP that with NYHC has nothing to do, so nice song but what it should means here?


Of course, returning to the point, this is the first work after the tape (in free download on their bandcamp, you find the link to it under the tracklist), and, well, it got the sign of this on itself. The songs are cool, the sound is strong and a like how the they kick in the right spots, but, hell, it's fucking discontinuous! Passing from A to B side and it seems another band that try to make something different, and when you got just three songs, it's a little confusing to make like that, because what you are doing loses in impact. Anyway, as already said, this EP got a cool, angry and hungry sound, and the band is young, so it's a duty to support them, to buy it and we will wait for the next release, hoping that for that day they will choose straight line in composing.


London Diehards, Widowmakers, Oxley Midnight Runners, The Firm, these are just some names that pops in my brain listening to them, so give them a chance and take a good listen!

1) Three stretch
2) Syle identified
3) Away (gilpin rock)

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domenica 12 luglio 2015

Rude Pride - Be True To Yourself

(SPA 2015, LP produced by Spirit of the Streets)

After just a couple of years of activity Rude Pride, from Madrid, has started to becoming a warranty on the european oi! scene. Their first, selftitled, EP was made by four songs of hard hitting music, and this LP is the perfect continuation of it, with a bunch of angry tunes, melodic without being pop and singable as well: the right music if you like to go to the gigs to sing until you got no more voice. Be true to yourself is the title of the album and well, for sure this album is true: it smells like boots, braces and of that smell of burning that electric razors make when you use them for too long (I'm sure you understand what I'm talking about!). No less, no more: skinheads music made by skinheads with a good taste in music and the ability to avoid the boring clichès of the genre.

Personally i love the intro, with that catchy guitar sound supported by the piano that seems like a revival of "Plastic gangster" that turns into a good piece of well played rnr oi!. "Wrong way" it's, for sure, the best song here, with a very Perkele taste and a chorus that enter inside your head and there's no way you can't remove it from there, but why you should want that? "Golden fists" it's truly a bomb, with a rythm that bring you to move your boots, no matter where you are, and "We'll never change" too, with a chorus that's a fist on your face. The guitar work is well made and it's the real column that makes to the whole album to not be boring or old, there a lot of solos and "rocknrolling" riffs that give some energy, that is never a bad thing, with a tiny sound, so different from the usual heavy distorted sound that's like fresh air. Of course it's not all gold: "Crisis sons"it sounds too much as a filler, and it's not the only one: "Flag on fire" it's a little too already heard, the ska song "Living a lie" don't say anything more, but today it's a little hard to be innovative with this kind of music. 



Of course, this is a deput LP and it's normal that got some weak points but here quality surpasses this little defect without any problem, so don't compromise your listening with our fussiness, because, truly, this is a very good album, the kind of that never tires you from listening, so pump up the fucking volume! 

You like Perkele? Here there are their proper heirs. With this i don't want to mean that they are copies or something like this, that's not the case. But they got the same attitude that allows to put together a taste for melody and the ability in making aggressive songs. Rude Pride are a must-to-know if you are intrested in the new european oi! scene, as Booze & Glory, another band that likes to play with 90's sound.

1) Hated and rejected
2) Wrong way
3) Outta my way
4) Crisis sons
5) No problem
6) Golden fists
7) Screaming oi!
8) We'll never change
9) Flag on fire
10) Living a lie

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giovedì 9 luglio 2015

Sparrow Falls - A Brimstone Harvest

(NL 2015, LP produced by Ring of Fire)

"A brimstone harvest", by Sparrow Falls seems to me one of the best releases of this first part of 2015. The album contains 10 tracks of a very experimental oi! from Netherland: i just can't find any band to make a comparison because they are the first in line in trying to do something like this. A pretty oi! sound is the foundation on wich they build the songs, adding and mixing this sound with a country/bluegrass attitude. How many oi! bands use a banjo in some songs? I don't know the number, but for sure, Sparrow Falls got a banjo and a keyboard and, fuck, they are pretty intense and good in what they are doing, like it's a freaking country oi! music style. Of course it stinks a little like it's music for fucking indies or hipsters,, but the mix is so strange that deserves at least a listen, with that impression of post-punk, and a melancholic attitude above all the songs. It's not a coincidence if this LP is produced by Ring of Fire Records, not a traditional oi! label, that on its catalog got people like Koffin Cats, Nowhereboung and other bands that like to mix together different genres. Not for the people who thinks oi! was born and died with Last Resort, if you know what i mean.

The singer got some melodic skills and for sure use it without abusing, to build a strange atmosphere that the other guys strenghten with a powerful wall of music made of a lot of levels where one overlying the other without deleting it. Nothing hard, nothing rude, just a fine work of construction that can be a good alternative and/or a good cue to renew this sound.



The album opens the dance with "The festering", a rock'n'roll track that introduces us to what "A bromstone harvest" want to be. Going on we find the best tracks of the LP: the titletrack (that mix together country athmosphere and epic sound), "Fragments of once", "Wrong eyed Jesus in the trunk" and the final one "Berlin, you're murder". The other songs got a too heavy indie influence and this ruins the listening for people used to a more rude sounds, so "Shipburner", "Rooster's lament", "Belarusian white" and "The calm", that we save for his melancolic attitude (we can be romantic, sometimes!).

In few words, if you like oi!bands with innovative and experimental sounds you'll love Sparrow Falls, that got this kind of messing the cards in the NDA. All their production is a mix, an half breed with different genres and stuff, something that shouldn't work but, it works, and with an high quality work behind! For sure they are rare, and i can't name (as already said) any bands that make this kind of stuff, just the Boxcutter Boys for their use of acoustic guitars, and, maybe the Thin Lizzy (that were also one of the most important influences of the Slades). About this review we, writers of the blog, were a little doubtful, 'cause of its strange genre and 'cause it isn't the classical skinhead sound, but well, why not try? Listen to it, in case trash it. 

1) The Festering                     
2) A Brimstone Harvest
3) Shipburner
4) Rooster's Lament
5) Fragment's Of Once
6) The Calm
7) Harlequin
8) Wrong Eyed Jesus In The Trunk
9) Belarusian White
10) Berlin, You're Murder

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martedì 7 luglio 2015

Rixe - Coupes & Blessures

(FR 2015, 7" produced by La Vida Es Un Mus Discos)

Rixe are a new french band that came out with a killer 4-songs EP in the february of 2015, with people from a lot of other bands (Lion's Law it's a name that tells you something?). The formula is pretty easy at the first sight: some good old oi! like they Nabat, Komintern Sect and some other bands used to do back in the days; but it's quite hard to make old school music without being trite and boring as fuck (how many bands we know that are just photocopies of 80's bands?) and, well, the Rixe are able to revive this kind of sound, to remake it in an original and personal way. The guitar is dirty like it's rusty, the drumming is simple and the bass lines are pretty simple too, but they are the real driving lines of the songs. If you are in search for fast stuff this is not for you, here you'll find just good and classical songs, like the fathers of this genre used to do.

It's quite hard to find copies of this vinyl thanks to the big amount of sales it realizes and it's bad on internet the lyrics were impossible to find, but trust us: if you find this 7" buy it immediatly. It worth the price.

The EP opens with "Razzia", where we immediatly get in touch with all the best weapons this band got: simplicity, the capacity in using it and a rough voice that support at the best the song costruction. Then it comes "Enfatigables", maybe the best tune of the EP, with an intro of bass and a fast-paced, aggressive and punctuated rhythm that just leads your head to think about what's the best way to get in a fight right now! "Larmes de crocodile" is a little faster and maybe is the less impressive track but it's nothing you can't forgive to this guys. The fourth and final song is the title track, and is also the longest of the EP, the only one who passes the 3:00 minutes lenght. The chorus has some vague melodic element which increseases the epic, like, also, the guitar solo, very simple but perfect in this situation.


Resuming: a band that has decided to retake in hands the elements which were at the base of 80's italian/french oi! music, and, fuck, they have realized a great EP, simple but very funny to hear to. Of course, the experience of years in playing music got an heavy weight in this, because they don't just reply what bands like Plastic Surgery, Enfanterie Sauvage (just to name two bands we didn't quote before) did, they make something new and of good quality.

1) Razzia
2) Enfatigables
3) Larmes de crocodile
4) Coups & blessures

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